ECOLOGY WITHOUT NATURE: Dub Philosophy

Tuesday, November 26, 2013

Dub Philosophy

With the help of my awesome consumerism students and TAs (Larry Butz and Derek Woods) I reiterated today my oft repeated claim (repeated by me for about twenty years) that Blake is more like a Rasta than a hippie. A moody apocalyptic urbanite trapped in Babylon, thinking a mystical consumerism and connection to a personal divine rather than a return to (mechanized, though disguised) nature.

Blake is a dub poet.

He made dub books, expanded, remixed unbelievable books.

And OOO is dub philosophy:

How do you know but ev'ry bird that cuts the airy way,
Is an immense world of delight clos'd by your senses five? (Blake)

Hey, FBI, I am the sky--who are you? (Lee Scratch Perry)

1 comment:

Nick Guetti said...: I never noticed this: Blake's art LOOKS like Rasta art!Check out the movies "Countryman" (still free on Netflix I believe) and "Rockers" (which also is, and has some scenes of dreadlocks in the act of painting on various things).

And you just quoted Scratch next to Blake. I think you've pretty much done everything now.; December 20, 2013 at 11:15 AM

Timothy Morton

Timothy Morton is Rita Shea Guffey Chair in English at Rice University. They have collaborated with Laurie Anderson, Björk, Jennifer Walshe, Hrafnhildur Arnadottir, Sabrina Scott, Adam McKay, Jeff Bridges, Justin Guariglia, Olafur Eliasson, and Pharrell Williams. Morton co-wrote and appears in Living in the Future’s Past, a 2018 film about global warming with Jeff Bridges. They are the author of the libretto for the opera Time Time Time by Jennifer Walshe. Morton has written All Art Is Ecological (Penguin, 2021), Spacecraft (Bloomsbury, 2021), Being Ecological (Penguin, 2018), Humankind: Solidarity with Nonhuman People (Verso, 2017), Dark Ecology: For a Logic of Future Coexistence (Columbia, 2016), Nothing: Three Inquiries in Buddhism (Chicago, 2015), Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), Realist Magic: Objects, Ontology, Causality (Open Humanities, 2013), The Ecological Thought (Harvard, 2010), Ecology without Nature (Harvard, 2007), 8 other books and 250 essays on philosophy, ecology, literature, music, art, architecture, design and food. Morton’s work has been translated into 10 languages. In 2014 they gave the Wellek Lectures in Theory.

“Outstanding.”
—Slavoj Zizek, In Defense of Lost Causes

“Dark ecology has the potential to be the punk rock or experimental pop of ecological thinking.”
—Kasino A4

“It isn’t [nature] itself that needs trashing — we’re doing a fine job of that already; it’s our way of thinking about it that needs to be structurally realigned ... it's an important book that, in a scant 205 pages of main text ... frames a debate that no doubt will be carried on for years to come.”
—Vince Carducci, Pop Matters

“He practices what he theorizes: nothing is wasted in his argumentation.”
—Emmanouil Aretoulakis, Synthesis

“Picking up where his most obvious predecessors, Gregory Bateson and Felix Guattari, left off, Morton understands mental ecology as the ground zero of ecological thinking, as that which must be redressed before anything else and above all. Morton goes beyond both his forebears, however, in repairing the rift between science and the humanities, which the Enlightenment opened up and against which Romanticism reacted. Perhaps most pleasantly surprising, given its erudition, is that in its stylistic elegance The Ecological Thought is as satisfying to read as it is necessary to ponder.”
—Vince Carducci

ECOLOGY WITHOUT NATURE

Tuesday, November 26, 2013

Dub Philosophy

1 comment:

Counter

ShareThis